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Academic WritingAcademic Writing
Series Editor, Music and Social Justice, University of Michigan Press “Cripping the Music History Classroom: Disability, Accommodation, Universal Design for Learning.” Norton Guide to Teaching Music History, ed. C. Matthew Balensuela, 247-259 (New York: W W Norton, 2019). “No Musicking About Us Without Us!” (with Elizabeth Grace) in colloquy “On the Disability Aesthetics of Music”. Journal of the American Musicological Society 69 (2016) 525-563. https://doi.org/10.1525/jams.2016.69.2.525 "Performances of Identity in Early Modern Italian Music.” I Tatti Studies in the Italian Renaissance 18, no. 1 (March 1, 2015): 23–31. https://doi.org/10.1086/680524. Listening as Spiritual Practice in Early Modern Italy. Berkeley: University of California Press, 2011. Editor; “Introduction;” “Collective Listening Processes and MTV.” Beyond Structural Listening? Postmodern Modes of Hearing. Berkeley: University of California Press, 2004. “‘Particolar gusto e diletto alle orecchie’: Listening in the Early Seicento.” In Massimo Ciavolella and Patrick Coleman, eds., Culture and Authority in Baroque Europe, 106-121. Toronto: University of Toronto Press, 2005. “Construction of Desire in Early Baroque Instrumental Music.” In Todd M. Borgerding, Ed., Gender, Sexuality, and Early Music, 199-226. New York: Routledge, 2002. Opening and closing statement, plenary Round Table on “Directions in Musicology.” In David Greer, ed., Musicology and Sister Disciplines: Past, Present, Future (Proceedings of the 16th International Congress of the International Musicological Society, London, 1997), 179-184; 226 - 227. Oxford: Oxford University Press, 2000. "Florestan and Butt-head: A Glimpse into Postmodern Music Criticism." American Music 17, no. 1 (1999): 65-86. - https://doi.org/10.2307/3052374. Syntax, Form, and Genre in Sonatas and Canzonas, 1621-1635. Lucca: Libreria Musicale Italiana, 1997. "Il Divino Claudio: Monteverdi and Lyric Nostalgia in Fascist Italy." Cambridge Opera Journal 8, no. 3 (1996): 271-84. https://www.jstor.org/stable/823815 “Il Compositore Deluso: The Fragments of Mozart’s Comic Opera Lo Sposo Deluso (K424a/430).” In Stanley Sadie, Ed., Wolfgang Amadé Mozart: Essays on His Life and Work . London: Oxford University Press, 1996. “La prima forma-sonata: Morfologia e sintassi nelle sonate di Dario Castello (1621) (The First Sonata Form: Elements of Syntax and Form in the Sonatas of Dario Castello [1621]).” Il Saggiatore Musicale 2 (1995): 17-46. www.jstor.org/stable/43030220 “Il Caso McClary: Feminine Endings e la musicologia femminista statunitense (The McClary Case: Feminine Endings and Feminist Musicology in the United States.)” Il Saggiatore Musicale 1 (1994): 209-218. https://www.jstor.org/stable/43030201 Editor, Lorenzo Allegri: Il Primo Libro delle Musiche... (1618). Italian Instrumental Music, Vol. 27. New York: Garland Publishing, 1995. Editor, Cesario Gussago: Sonate a quattro sei et otto, con alcuni Concerti a Otto... (Venice, 1608). Italian Instrumental Music, Vol. 20. New York: Garland Publishing, 1994. Google Academic Citations |