Andrew Dell'Antonio
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resources : academic writing

Academic Writing

If you encounter a paywall on an article / chapter and don’t have institutional access please contact me and I will be pleased to send you a digital copy.
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Also if you encounter a format that Is inaccessible to you please let me know and I’ll do my best to provide an accessible format.
Google Academic Citations

​Series Co-Editor (with William Che​ng), Music and Social Justice, University of Michigan Press
Collage of covers of volumes published in the Michigan University Press

“ ‘il fine dell’Autore circa la dilettatione dell’udito:’ Frescobaldi and Listening in Early Modern Rome.” In Martina Papiro, ed., Stimme – Instrument – Vokalität: Blicke auf dynamische Beziehungen in der Alten Musik, 123-142. Basler Beiträge zur Historischen Musikpraxis 41.  (Basel: Schwabe Verlag, 2021).

“Mentoring, Institutional Barriers, Structures of Justice: A Dialogue Across Positions of Privilege and Power." (with Matthew Ovalle) Current Musicology 107 (January 27, 2021): 148–152. 

“Cripping the Music History Classroom: Disability, Accommodation, Universal Design for Learning.” In C. Matthew Balensuela, ed., Norton Guide to Teaching Music History,  247-259 (New York: W W Norton, 2019).

“No Musicking About Us Without Us!” (with Elizabeth Grace) in colloquy “On the Disability Aesthetics of Music”.  Journal of the American Musicological Society 69 (2016) 525-563.

"Performances of Identity in Early Modern Italian Music.” I Tatti Studies in the Italian Renaissance 18, no. 1 (March 1, 2015): 23–31.

Listening as Spiritual Practice in Early Modern Italy.  Berkeley: University of California Press, 2011.

“‘Particolar gusto e diletto alle orecchie’: Listening in the Early Seicento.” In Massimo Ciavolella and Patrick Coleman, eds., Culture and Authority in Baroque Europe, 106-121. Toronto: University of Toronto Press, 2005.

Editor; “Introduction;” “Collective Listening Processes and MTV.” Beyond Structural Listening? Postmodern Modes of Hearing.  Berkeley: University of California Press, 2004.

 “Construction of Desire in Early Baroque Instrumental Music.”  In Todd M. Borgerding, ed., Gender, Sexuality, and Early Music, 199-226.  New York: Routledge, 2002.

Opening and closing statement, plenary Round Table on “Directions in Musicology.” In David Greer, ed., Musicology and Sister Disciplines: Past, Present, Future  (Proceedings of the 16th International Congress of the International Musicological Society, London, 1997), 179-184; 226 - 227.  Oxford: Oxford University Press, 2000.

"Florestan and Butt-head: A Glimpse into Postmodern Music Criticism." American Music 17, no. 1 (1999): 65-86.

Syntax, Form, and Genre in Sonatas and Canzonas, 1621-1635.  Lucca: Libreria Musicale Italiana, 1997.

"Il Divino Claudio: Monteverdi and Lyric Nostalgia in Fascist Italy." Cambridge Opera Journal 8, no. 3 (1996): 271-84. 

 “Il Compositore Deluso: The Fragments of Mozart’s Comic Opera Lo Sposo Deluso (K424a/430).” In Stanley Sadie, ed., Wolfgang Amadé Mozart: Essays on His Life and Work .  London: Oxford University Press, 1996.

“La prima forma-sonata: Morfologia e sintassi nelle sonate di Dario Castello (1621) (The First Sonata Form: Elements of Syntax and Form in the Sonatas of Dario Castello [1621]).” Il Saggiatore Musicale 2 (1995): 17-46.

 “Il Caso McClary: Feminine Endings e la musicologia femminista statunitense (The McClary Case: Feminine Endings and Feminist Musicology in the United States.)”   Il Saggiatore Musicale 1 (1994): 209-218.


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Editor, Lorenzo Allegri: Il Primo Libro delle Musiche...  (1618).  Italian Instrumental Music, Vol. 27.  New York: Garland Publishing, 1995.

Editor, Cesario Gussago: Sonate a quattro sei et otto, con alcuni Concerti a Otto...  (Venice, 1608).  Italian Instrumental Music, Vol. 20. New York: Garland Publishing, 1994.​
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