Academic Writing
If you encounter a paywall on an article / chapter and don’t have institutional access please contact me and I will be pleased to send you a digital copy.
Also if you encounter a format that Is inaccessible to you please let me know and I’ll do my best to provide an accessible format.
Also if you encounter a format that Is inaccessible to you please let me know and I’ll do my best to provide an accessible format.
Series Co-Editor (with William Cheng), Music and Social Justice, University of Michigan Press
“ ‘il fine dell’Autore circa la dilettatione dell’udito:’ Frescobaldi and Listening in Early Modern Rome.” In Martina Papiro, ed., Stimme – Instrument – Vokalität: Blicke auf dynamische Beziehungen in der Alten Musik, 123-142. Basler Beiträge zur Historischen Musikpraxis 41. (Basel: Schwabe Verlag, 2021).
“Mentoring, Institutional Barriers, Structures of Justice: A Dialogue Across Positions of Privilege and Power." (with Matthew Ovalle) Current Musicology 107 (January 27, 2021): 148–152.
“Cripping the Music History Classroom: Disability, Accommodation, Universal Design for Learning.” In C. Matthew Balensuela, ed., Norton Guide to Teaching Music History, 247-259 (New York: W W Norton, 2019).
“No Musicking About Us Without Us!” (with Elizabeth Grace) in colloquy “On the Disability Aesthetics of Music”. Journal of the American Musicological Society 69 (2016) 525-563.
"Performances of Identity in Early Modern Italian Music.” I Tatti Studies in the Italian Renaissance 18, no. 1 (March 1, 2015): 23–31.
Listening as Spiritual Practice in Early Modern Italy. Berkeley: University of California Press, 2011.
“‘Particolar gusto e diletto alle orecchie’: Listening in the Early Seicento.” In Massimo Ciavolella and Patrick Coleman, eds., Culture and Authority in Baroque Europe, 106-121. Toronto: University of Toronto Press, 2005.
Editor; “Introduction;” “Collective Listening Processes and MTV.” Beyond Structural Listening? Postmodern Modes of Hearing. Berkeley: University of California Press, 2004.
“Construction of Desire in Early Baroque Instrumental Music.” In Todd M. Borgerding, ed., Gender, Sexuality, and Early Music, 199-226. New York: Routledge, 2002.
Opening and closing statement, plenary Round Table on “Directions in Musicology.” In David Greer, ed., Musicology and Sister Disciplines: Past, Present, Future (Proceedings of the 16th International Congress of the International Musicological Society, London, 1997), 179-184; 226 - 227. Oxford: Oxford University Press, 2000.
"Florestan and Butt-head: A Glimpse into Postmodern Music Criticism." American Music 17, no. 1 (1999): 65-86.
Syntax, Form, and Genre in Sonatas and Canzonas, 1621-1635. Lucca: Libreria Musicale Italiana, 1997.
"Il Divino Claudio: Monteverdi and Lyric Nostalgia in Fascist Italy." Cambridge Opera Journal 8, no. 3 (1996): 271-84.
“Il Compositore Deluso: The Fragments of Mozart’s Comic Opera Lo Sposo Deluso (K424a/430).” In Stanley Sadie, ed., Wolfgang Amadé Mozart: Essays on His Life and Work . London: Oxford University Press, 1996.
“La prima forma-sonata: Morfologia e sintassi nelle sonate di Dario Castello (1621) (The First Sonata Form: Elements of Syntax and Form in the Sonatas of Dario Castello [1621]).” Il Saggiatore Musicale 2 (1995): 17-46.
“Il Caso McClary: Feminine Endings e la musicologia femminista statunitense (The McClary Case: Feminine Endings and Feminist Musicology in the United States.)” Il Saggiatore Musicale 1 (1994): 209-218.
Editor, Lorenzo Allegri: Il Primo Libro delle Musiche... (1618). Italian Instrumental Music, Vol. 27. New York: Garland Publishing, 1995.
Editor, Cesario Gussago: Sonate a quattro sei et otto, con alcuni Concerti a Otto... (Venice, 1608). Italian Instrumental Music, Vol. 20. New York: Garland Publishing, 1994.